一套博物馆展柜没有灯光的相互衬托就很难将博物馆展柜的美完全的发挥出来，在设计博物馆展柜的时候，想要增强博物馆展柜的立体感，通过选择的射光的灯光并合理的综合利用它们才是关键，具体要依照展品和空间的布局，其中特别是逆光的应用非常重要，国外的光色设计中始终有逆光，空间与立体感主要靠逆光形成，如逆光100%，侧光50%，面光20%的照射形成了立体雕塑感。不过，这个也紧紧是一个参考依据，我们还是要根据特定的区域、特定的空间、特定的环境来配备特定的效果的照射光来达到增强博物馆展柜的立体感的目的。

  确定结构，材质，进入开料阶段。业内一般使用人工推台精密锯机完成此流程。进入木工钉装，要求造型线条流畅优美，钉装严密，胶水饱满到位。

  然后就是博物馆展柜进入批灰环节，首先用原子灰补平整木工段的钉眼，接口缝隙及柜身其它凹陷处，如凹陷过于太大应返回木工段做技术处理;待原子灰干燥后用猪血灰满批柜体，不得有遗漏。此段必须先用原子灰批一次，有些人为减少成本直接用猪血灰一次满批，这是不行的，因为猪血灰在受到季节变化，空气湿度影响时会产生收缩现象，《短时间不明显》会导致将来柜身接口，钉眼局部有凸出现象。

  接着就是博物馆展柜的底漆阶段，目的使柜体与外界隔绝。作用：防潮，避免“柜吃漆”现象，后期面漆更有光泽，饱满。一般采用喷涂，也可手工完成。

  之后就是博物馆展柜的再打磨阶段，待油漆干透后进入干砂，用240#砂纸平整柜身即可。

  最后就是博物馆展柜的面漆阶段，这一工段特别重要，这也是考验所在工位从业人员工艺操作水平。要求：无流挂,无颗粒，漆面光泽均匀，手感良好.......等等。然后进入无尘烤箱加温，烤被。

A set of museum display cabinets can't give full play to the beauty of museum display cabinets without lighting. In the design of museum display cabinets, to enhance the three-dimensional sense of museum display cabinets, the key is to choose the lighting and use them reasonably and comprehensively according to the layout of exhibits and space, especially the application of backlight is very important There is always backlight in the exterior light color design. The space and stereoscopic sense are mainly formed by backlight, such as backlight 100%, side light 50%, and surface light 20% to form a stereoscopic sculpture sense. However, this is also a reference. We still need to equip specific lighting according to specific area, specific space and specific environment to enhance the three-dimensional sense of Museum cabinets.

Confirm the structure and material and enter the opening stage. In the industry, the process is generally completed by manual push precision saw. In the wood nailing, the molding line shall be smooth and beautiful, the nailing shall be tight, and the glue shall be full and in place.

 In this section, atomic ash must be used for one batch first. Some people directly use pig blood ash for one full batch to reduce the cost. This is not possible, because pig blood ash will contract when it is affected by seasonal changes and air humidity. In short time, it will lead to cabinet body interface and protruding nail hole.

 Function: dampproof, avoid "cabinet eat paint" phenomenon, later finish more luster, full. Generally, spraying is used, and it can also be done by hand.

After that, it is the regrinding stage of the exhibition cabinet of the museum. After the paint is dry, it will enter the dry sand, and the cabinet body can be leveled with 240 × sandpaper.

Requirements: no sagging, no particles, even gloss, good hand feel, etc. Then go into the dust-free oven to heat and bake the quilt.